| I-vi-ii-V Variations |
download PDF |
| I-IV-III-VI-II-V-I Variations |
download PDF |
| I-IV-III-VI-II-V-I Variations (Organized Melodically)
|
download PDF |
| I - IVs with Melodizing and Bell-like Rings |
download PDF |
| I - VI7 - ii7 - V7 and Friends on Top 4 Strings |
download PDF |
| I IV (One Four) |
download PDF |
|
I (or iii) - VI - ii - V Variations (parts 1-3) |
download PDF |
| I (or iii) - VI - ii - V Variations (parts 4-5) |
download PDF |
|
I - bVI7 - ii7 - V7 - I |
download PDF |
| I bVII bVI V Fill-in Quiz |
download PDF |
| i7 bII (and vice versa), i7 - bvi7 in Large Voicings |
download PDF |
| i7 bVI in Large Voicings |
download PDF |
| ii-V-I-VI |
download PDF |
| ii7 ii7 V7 Progressions (untitled)
|
download PDF |
| ii7-V7-I Harmonization Studies |
download PDF |
| ii7-V7-I Starting From ii7(b7b35R) Voicing on Top 4 Strings |
download PDF |
| ii7-V7-I Starting From ii7(b7b359) Voicing on Top 4 Strings |
download PDF |
| ii7-V7-I Starting From ii7(R5b7b3) to Altered V7, then to I, Top 4 Strings |
download PDF |
| ii-V7-I Starting From ii7(R5b7b3) Voicing on Top 4 Strings |
download PDF |
| ii-V7-I Starting From ii7(R5b711) Voicing on Top4 Strings |
download PDF |
|
ii7 – V7 (with Various Colors) – I |
download PDF |
| iii-biii-ii-V (or bII) |
download PDF |
| III VI II V with Contrary Motion |
download PDF |
| III7 (or I) - VI7 - II7 - V7 |
download PDF |
| iii7-VI7-ii7-V7 Progressions Root in the Bass (1977-08-08) |
download PDF |
| IV-iii7-ii7-V with Contrary Motion Melody |
download PDF |
| V7-I Progressions Organized by Melodic Considerations |
download PDF |
| V7-I Resolution Quiz Modern Dominant Chord Forms |
download PDF |
| V7-I Resolutions, Preliminary Organized by Melodic Considerations |
download PDF |
| vi7-II7-ii7-V7 |
download PDF |
| bVII7 - VI7 - bVI7 - V7 |
download PDF |
| 1st Inversion Various Spreads and Voices, 1984-02-08
|
download PDF |
| 1st Inversion Voicings and System of Progressions |
download PDF |
| 3-6-2-5 for Endings and Such |
download PDF |
| 3-Note ii7 Voicings in ii7-V7-I Progressions |
download PDF |
| 3rd Stacks Dominant Type Chords |
download PDF |
| 3rds and 7ths Jazz Voicing, Functional Tritones |
download PDF |
| 4-Note 7th and 6th Chords |
download PDF |
| 8 Note Dominant Scale Chords Learning to Use |
download PDF |
| A Foggy Day - A Study in Color and Placement |
download PDF |
| Aeolian Colors with Pedal Tones |
download PDF |
| Aeolian Sequences
|
download PDF |
| All 4- and 5-Note Chords Using Major and Minor 3rds |
download PDF |
| A Minor Stuff
|
download PDF |
| A Night in Tunisia (first two chords variations) |
download PDF |
| Application of Basic Chord Forms in Progressions |
download PDF |
| Applying Minor Add9 Chords in Descending Line Progressions |
download PDF |
| Applying m/9 Chords in Descending (from Root) Line Progressions |
download PDF |
| Approach Chord Concept – Overview via Constant Lower Voices |
download PDF |
| Approach Chords Contrary Motion Soprano |
download PDF |
| Ascending Bass (stepwise) key of Em Assignment |
download PDF |
| Autumn Leaves (harmonization sketch) |
download PDF |
| B7 Types Top 4 Strings |
download PDF |
| Bb7#5 (altered 9), Root on Top |
download PDF |
| Basic Chord Forms for Walking Bass Style |
download PDF |
| Bass Line Progressions |
download PDF |
| Bi-Diatonic and Tri-Diatonic Systems |
download PDF |
 Borrowed Chord Sounds Aeolian Major |
download PDF |
| Broken Chord Practice |
download PDF |
| Choice 3-, 4-, 5-, and 6-Note Major Types Chord Organization
|
download PDF |
| Chord Color-Adds, 2 Note Comping |
download PDF |
| Chord Evolution G7 and Dm7 Types in Voicing Group 2 and 1 |
download PDF |
| Chord Forms by Soprano and Bass Major Types |
download PDF |
| Chord Forms by Soprano and Bass Minor 7 Types |
download PDF |
| Chord Fragments and Their Decorative Notes |
download PDF |
| Chords by Soprano, 1998-04-12 |
download PDF |
| Chords for Chord Soloing and Comping Dom. 7th Type & Co-Minor7 (1979) |
download PDF |
| Chords for Chord Soloing and Comping Minor 7th Type (1979) |
download PDF |
| Chords for Comping and Chord Soloing Dom.7th Type & Co-Minors (1980) |
download PDF |
| Chords for Comping and Chord Soloing Major Type (1980) |
download PDF |
| Chords for Comping and Chord Soloing Minor 7th Type (1980) |
download PDF |
| Chord Forms for Solo & Ensemble Chord Melody Playing - Level 1 |
download PDF |
| Chord Hearts and Blocks: ii7-V7-I |
download PDF |
| Chord Passages Starting from I (R37 Types) |
download PDF |
| Chord Progression Vocabulary |
download PDF |
| Chord Reference Charts and the Nucleus Concept |
download PDF |
| Chord Voicings on the Top 4 Strings - level 1 (1977-02-2) |
download PDF |
| Chord Voicings on the Middle 4 Strings Level 1 (1977) |
download PDF |
| Chords for Chord-Melody Playing - part 1 (1974) |
download PDF |
| Chords for Chord-Melody Playing - part 2 (1974) |
download PDF |
| Chords for Chord-Melody Playing - part 3 (1974) |
download PDF |
| Chords for Chord-Melody Playing - part 4 (1974) |
download PDF |
| Chords for Chord-Melody Playing - part 5 (1974) |
download PDF |
| Chords for Me to Thoroughly Integrate This Year (1981) |
download PDF |
| Chords to Integrate in 1983 and 1984 |
download PDF |
| Chord Inversions - Exercises to Help Learn |
download PDF |
| Chord Name Quiz Modern Dominants |
download PDF |
| Chord Patterns for Dominant Suspended Color |
download PDF |
| Chord Progressions Using Middle 4 Strings Root in Bass Types |
download PDF |
Chord Sounds for Group or Solo Playing (top 4 strings) |
download PDF |
| Chord Voicings - Standard 4-Note, Medium Size
|
download PDF |
| Chromatic and Semi-Chromatic Harmonization and Approach Chords Studies |
download PDF |
| Chromatic Contrary Lines
|
download PDF |
| Chromatic Embellishment of Favorite Chords |
download PDF |
| Chromatic Melodies over Progressions in Style of George Van Eps |
download PDF |
| Classical and Romantic Progressions |
download PDF |
| Close Harmony Derived Voicings, Organized by String Groupings |
download PDF |
| Close Harmony Derived Voicings, Organized by String Groupings |
download PDF |
| Combining 6th & 5th String Root Chords in Short Progressions |
download PDF |
Combining Diatonic and Extra-Diatonic Colors |
download PDF |
| Complete List of 3- and 4-Note Vertical Structures |
download PDF |
| Construction of Chords by Location and String Grouping |
download PDF |
Contrary Harmonization Examples |
download PDF |
| Contrary Motion into Beautiful Chords
|
download PDF |
| Contrary Motion into Complex Chords |
download PDF |
| Contrary Motion Studies |
download PDF |
| Cumulative Chords - 5th String Root, Middle Strings, 4-Noters |
download PDF |
Cumulative Chord Phrases Starting from IV (R37 Types) |
download PDF |
| Desc. Chromatic Bass Progressions from ii7 with 5th in Bass |
download PDF |
| Desc. Progs. Conceived from Bass/Melody/Harmonic Tendencies |
download PDF |
| Desc. Progs. from 9\3\5: Mainly Diatonic Harmony & Melodies |
download PDF |
| Developing Facility with Low-End 3-Note 7th Chords |
download PDF |
| Descending Chromatic Bass Line, Voice-Leading Progressions |
download PDF |
| Diatonic Contrary Lines with 2-to-1 Melody |
download PDF |
| Diatonic Cycle of 4ths - Major Key (1983-03-30) |
download PDF |
| Diatonic Cycle of 4ths (part 1) |
download PDF |
| Diatonic Cycle of 4ths (part 2) |
download PDF |
| Diatonic Cycle of 4ths (part 3) |
download PDF |
| Diatonic Major Contrary Motion Progressions |
download PDF |
| Diatonic Major Key Contrary Motion Sounds with a Diversion at End |
download PDF |
| Diatonic Major Key Contrary Motion Studies |
download PDF |
| Diatonic Major Key Contrary Motion Studies Inspired by GVE |
download PDF |
| Diatonic Major Key V7-I Root Position Intense Focus |
download PDF |
| Diatonic Major Key V7-I Root Position |
download PDF |
Diatonic Major Key Voicings (More) |
download PDF |
| Distinctive Color of bII to V in Minor Key |
download PDF |
| Dominant 7b9#9 Color: Chord Forms and Some Application |
download PDF |
| Dominant7b9, Root on Top, Middle Strings, V7-I |
download PDF |
| Dominant7b9, Root on Top, Top 4 Strings, ii7-V7-I |
download PDF |
| Dominant7b9, Root on Top, Top 4 Strings, V7-I (1987-05-03) |
download PDF |
| Dominant7b9, Root on Top, Top 4 Strings, V7-I (1987-06-16) |
download PDF |
| Dominant7b9sus, Root on Top, Middle Strings, V7-I |
download PDF |
| Dominant7b9sus, Root on Top, Top 4 Strings, V7-I |
download PDF |
| Dominant 7th Family Chord Voicings, Important |
download PDF |
| Dominant Approach Chord Catalogue for Blues and... |
download PDF |
| Dominant Approach Chord Catalogue for Reference & Gradual Learning |
download PDF |
| Dominant Types on the Top 4 Strings |
download PDF |
| Embellished Chords Miscellaneous |
download PDF |
| Embellishments of Minor 6 Type Chords
|
download PDF |
|
Embellishing Modern Chords via Moving Lines or Triads |
download PDF |
| Examples of Common (major key) Chord Progressions |
download PDF |
| Examples of I Chord Vamps |
download PDF |
|
Exercises to Help Learn Chord Inversions |
download PDF |
| Expanded Diatonic Color |
download PDF |
| Expanded Diatonic Ideas (1986-1994) |
download PDF |
| Expanded Key via Major (Extensions) Colors |
download PDF |
| Extra-Diatonic Progressions with Beautiful Majors |
download PDF |
| For Intros, Endings |
download PDF |
| Gapped 3rd Stacks: m9 and its Extensions |
download PDF |
| George Van Eps Style Variations |
download PDF |
| Good Modulating Progressions |
download PDF |
| Harmonic Vocabulary: Progression Study |
download PDF |
Harmonizing 3rd Interval-Oriented Melodies |
download PDF |
|
Harmony Through Melody Course |
download PDF |
| High-Register Opening |
download PDF |
| Ideas for Gm7, Ideas for Key of G |
download PDF |
| Illustrations of Dom.7ths on All 12Degrees in a Major Key |
download PDF |
| Implying Chords with Intervals |
download PDF |
| Impressionistic-Romantic Sounds |
download PDF |
| Johnny Smith Style |
download PDF |
| Key of Eb Diatonic Movement Modulating to G |
download PDF |
| Learning Basic Chords For Comping & Chord Soloing - 4 pages |
download PDF |
| Locked Double-Line Color: Broken Chords |
download PDF |
| Long Diatonic Cycle of 4ths Progressions |
download PDF |
| Low-End Dominant 7th Voicings - Systematic Inversions |
download PDF |
| Low-End Major 6th Voicings - Systematic Inversions |
download PDF |
| Low-End Major Voicings - Overview |
download PDF |
Low-End Minor 6th Voicings - Systematic Inversions |
download PDF |
| Low-End Minor 7th Voicings - Systematic Inversions |
download PDF |
| Low-End Minor 7b5 Voicings - Systematic Inversions |
download PDF |
| Low-End Diminished 7th Voicings - Systematic Inversions |
download PDF |
| Lydian Tonality |
download PDF |
| Major 1st Inversion Possibilities Root on 4th or 2nd Strings
|
download PDF |
| Major 7th Chord Voicings |
download PDF |
| Major Pentatonic (Parts 1-3) 2 Voices 2-to-1 |
download PDF |
| Major Pentatonic (Part 4) 2 Voices 2-to-1 |
download PDF |
| Major Pentatonic (Parts 5-6) 2 Voices Sounding Like 3 |
download PDF |
| Major Pentatonic (Parts 7-8) 2-Note Pentatonic with Dots and Ties |
download PDF |
| Major Starting Chords for Jazz Turnarounds Organized by the Soprano
|
download PDF |
| Major Type Chord Forms: Cumulative Melody from the Bass Up |
download PDF |
| Mastering Inner String Dominant Chords, 1988-09-24 |
download PDF |
Melodic Continuity as Applied to Modulations Up a Major 3rd |
download PDF |
| Melodizing ii7-V7-I in Close Harmony |
download PDF |
| Minor7 Family (relative major also) Viewed from Melody |
download PDF |
|
Minor 7 Sounds (continued) |
download PDF |
| Minor 7th Type Chord Forms |
download PDF |
| Minor7th Type Chord Forms: Cumulative Melody from the Bass Up |
download PDF |
| Minor 7th Type Chord Forms Melodically Grouped, Root in Bass |
download PDF |
| Minor Chords and Astronomy |
download PDF |
| Minor7 Types on Middle Strings |
download PDF |
|
Minor Key Progressions Generated by Chromatic Inner Voice |
download PDF |
| Mixed Major Tonality bIII-bVII-IV-I |
download PDF |
| Mixing Chords with 6th & 5th Str. Roots, Diatonic Cycle of 4ths |
download PDF |
Mixing in Upper Voicings with the Basic Ones |
download PDF |
| Mixing Major Scale Ext. Primary Colors |
download PDF |
| Mixolydian Chord Progression |
download PDF |
| Modern iii7-VI7-ii7-V7 Progressions |
download PDF |
| Modern Chord Progressions (1973) |
download PDF |
| Modern Chord Progressions (V7 I) |
download PDF |
| Modern Chords in Common Progressions |
download PDF |
| Modern Chords (1975) |
download PDF |
| Modern Chords (condensed list) |
download PDF |
| Modern Chords in Basic Chord Progressions |
download PDF |
| Modern Chord Reference Page (1975 & 1978) |
download PDF |
| Modern Dominant Chords Viewed from Melody |
download PDF |
| Modern Dominant 7th Chord Forms Catalogue |
download PDF |
| Modern Dominants Organized by Outer Voices |
download PDF |
| Modern Voicing on iii7 VI7 ii7 V7 |
download PDF |
| More Progressions Using Modern Dominant Voicings |
download PDF |
| Moving Lines for Added Beauty and Interest |
download PDF |
|
Moving Lines with Pedals |
download PDF |
| Multi-Style Progressional Colors |
download PDF |
| Multi-Tonal Major Diatonically Mixed Major |
download PDF |
| Neighbor Tone (Chromatic) Approach to Modern Chords
|
download PDF |
| Neighbor Tone Embellishment
|
download PDF |
|
Neighbor Tone Embellishment of Common Impressionistic Era Chords |
download PDF |
| Neighbor Tone Embellishment of Major Type Chords
|
download PDF |
| Non-Diatonic V7-I Progressions |
download PDF |
| Non-Diatonic Approach Chords Constant Soprano Groupings (1986) |
download PDF |
| Outlining Modern Dominant Progressions |
download PDF |
| Parallel Motion
|
download PDF |
| Practice Patterns to Learn Chord Forms |
download PDF |
| Progressions for Learning #11 Dominants |
download PDF |
| Progressions in 3 and 4 Voices |
download PDF |
|
Progression in E, F#7-C7, and A7-D |
download PDF |
| Progressions Starting from Lots of My Favorite Forms |
download PDF |
| Progressions to Learn Major Type Chord Forms |
download PDF |
| Progressions to Illustrate Different Types of II7 Chords |
download PDF |
| Progressions Using Minor 7th Type Chords
|
download PDF |
| Progression with Open String Chords |
download PDF |
| Resolutions of V7b9 - i, Incomplete – (diminished triads to i) |
download PDF |
| Resolutions of V7b9 - i |
download PDF |
| Resolutions of V7 - I, Some of the Most Common |
download PDF |
|
Romantic Chord Progressions |
download PDF |
| Romantic (and Impressionistic) Harmony: vi6-I Examples |
download PDF |
| Samplers |
download PDF |
| Sampler of Some Uses of Harmonic Resources in Different Styles |
download PDF |
| Sequences of 7th Chords |
download PDF |
| Session with the Stars - Handout Sheets |
download PDF |
| Short Intros Using Chord Scales Diatonic Major Key |
download PDF |
| Short Intros Using Modest Decoration |
download PDF |
| Short Intros Using Right-Hand Delays |
download PDF |
| Small Chords for Group Playing |
download PDF |
| Some Resolutions of Modern Dominants to Tonics |
download PDF |
| Soprano View of Low-End Dominant Chords |
download PDF |
| Standard Resolution of the Dominant 7th Chord |
download PDF |
| Starting Chords |
download PDF |
| Stationary & Moving Voices, Contrary Motion into Modern Chords |
download PDF |
| String Transference Chart (modern dominant family nucleus voicings) |
download PDF |
| Studies in Parallel Motion |
download PDF |
| Symmetrical Dominant Progressions (Part 1) |
download PDF |
| Symmetrical Dominant Progressions (Part 2) |
download PDF |
| Systematic Inversions (1976-05-05) |
download PDF |
| Systematic Inversion Families |
download PDF |
| Texture Catalogue, New For Fills, Intros, Endings, Interludes |
download PDF |
| Texture Catalogue as Applied to Dm6, Dm6/9, G9, G13, G13#11 |
download PDF |
| Turnarounds to Get from I7 to ii7(or II7) |
download PDF |
| Usage of Unusual Voicings to Move into Beautiful Consonant Types |
download PDF |
| Using I-ii/TR, I-ii/3, Imaj7-ii7, and Various I-IV or Sus Dom. Vs in Short Phrases |
download PDF |
| Using 3-Note Voicings in Phrases with Larger Chords |
download PDF |
| Using 4-Note 1st Inversions |
download PDF |
| Using Add 9th Chords in I-bVI-IV-II-V |
download PDF |
| Using Altered Dominant Chords from the 5th String Root |
download PDF |
| Using Diatonic Chord Scales and Expanded Diatonic Colors as Well |
download PDF |
| Using m7b5 Types in iim7b5 - V7 - i Progressions |
download PDF |
|
Using m7\11/R and m7b5\11/R Voicings as ii7 Chords |
download PDF |
| Using Major Add 9's and Minor Add9's |
download PDF |
| Vamp Progressions (circa 1977) |
download PDF |
| Visual Chords |
download PDF |
| Voice Switches |
download PDF |
| Voicing Centers |
download PDF |
| Voicings for B, C, D, G |
download PDF |
| |
|
| Chord Scales |
| 1573 Diatonic Major Key Voicings String Crossing in Chord Scales |
download PDF |
| 1573 Voicings |
download PDF |
| 4-Note Pentatonic Chord Scales |
download PDF |
Contemporary Harmonized Scales |
download PDF |
| Decorated Chord Scales |
download PDF |
|
Diatonic 7th Chords |
download PDF |
| Diatonic Chord Scales Forms for Building in Major Keys |
download PDF |
| Diatonic Chord Scales Major Key |
download PDF |
| Diatonic Major Key R 3 5 and 7 R 3 Chord Scales |
download PDF |
| Diatonic Major Key Triads - R35 Triads, Top 3 Strings and Pedals |
download PDF |
| Examples of Diatonic Chord Scales in Major Keys |
download PDF |
|
Major Scale Harmonized in 7ths |
download PDF |
| Phrases Using Diatonic Major Key 1573 Voicings |
download PDF |
R-3-5 Triads and 7-R-3 7th Chords in Short Melodic Phrases |
download PDF |
| R-5-3 Diatonic Chord Scale Studies |
download PDF |
| R37 Voicings |
download PDF |
R373 Voicings |
download PDF |
Using Low-End 1st Inversions in Diatonic Chord Derived Scale Passages |
download PDF |
| Using R373 Diatonic Major Scale Voicings in Short Phrases |
download PDF |
| R536 Voicings from the Bottom String |
download PDF |
R537 Voicings Chord Scales |
download PDF |
| R537 with R536 Chord Scale Studies |
download PDF |
String Crossing with Diatonic Chord Scales |
download PDF |
String-Crosses Using Open Triads |
download PDF |
Tonality Types Diatonic Chord Scales in Triads |
download PDF |
| Tonality Types Open Triad 1st and 2nd Inversion |
download PDF |
| |
|
| Chord Streams |
| 3-Note Chord Hearts and Chord Fragments Minor 7 Chord Streams |
download PDF |
| 3-Note Chord Hearts and Chord Fragments Minor 7 with String Crossing |
download PDF |
|
3-Note Close Harmony Dominant Extensions |
download PDF |
|
3-Note Close Harmony Dominant Extensions, Top Set |
download PDF |
|
3-Note Close Harmony Major Extensions - 1st Series, 2nd Set of Strings |
download PDF |
| 3-Note Close Harmony Major Extensions - 2nd Set of Strings (pt.1) |
download PDF |
| 3-Note Close Harmony Major Extensions - 2nd Set of Strings (pt.2) |
download PDF |
| 3-Note Close Harmony Major Extensions Top Set of Strings |
download PDF |
| 3-Note Close Harmony Major Extensions Used in Little Melodic Phrases |
download PDF |
|
3-Note Close Harmony Minor Extensions and Friends |
download PDF |
| 3-Note Low-End Chord Streams (minor 6) |
download PDF |
| 3-Note Low-End Chord Streams (minor 7b5) |
download PDF |
| Chord Streams: 3-Note Major 6th Chord Stream Exercises (V-2) |
download PDF |
| Chord Streams: V-2 Major 7, Major 9, and Major 6/9 |
download PDF |
| Chord Streams with V-2 Major 6ths |
download PDF |
| Comping Vocabulary: 3-Noters, Major Family |
download PDF |
| Major Chord Hearts |
download PDF |
| Melodic Chord Streams (1975-09-27) |
download PDF |
| Melodic Chord Streams - 7th and m6 (1975-09-30) |
download PDF |
| Melodic Chord Streams ala George Van Eps (3 pages) |
download PDF |
| Melodic Chord Streams minor 7th, ala George Van Eps (1978-09-16) |
download PDF |
| Melodic Use of Small Major Type Chords (6ths)
|
download PDF |
| Mixing Functions of Close Harmony 3-Note Major Extensions |
download PDF |
| Overtone Dominant Chord Rows |
download PDF |
| Progressions Derived Triad Chord Streams & Harmonized Melodies |
download PDF |
| Small 3-Note Minor 7th Type Voicings in Cumulative Chord Streams |
download PDF |
| Using 3-Note Chord Fragments and Chord Hearts in Common Progs. |
download PDF |
| V-2 Minor7b5 Chord Streams on all 3 Sets |
download PDF |
| |
|
| Triads |
| 1st Inversion Triads and Pedals in Short Song-like Passages |
download PDF |
| I-ii-IV-ii-I in Close Triads |
download PDF |
| I-ii Low-End Open Triads |
download PDF |
| I-IV and i-IV with Open Triads |
download PDF |
|
IV-I in Open Triads – Ascending Chains |
download PDF |
| IV-I in Open Triads Desc. & Asc. Chains with Voice-leading |
download PDF |
| IV-I in Open Triads Descending Chains with Voice-Leading |
download PDF |
| 3-Note Chord Voicings Voicing Chains
|
download PDF |
| 3-Note Triad Inversion Rows Major |
download PDF |
| 3-Note Triad Inversion Rows Minor |
download PDF |
| 3-Voice Major Triads - Soprano Organization |
download PDF |
| 4-Part Harmony Triads
|
download PDF |
| All the 3-Note Chord Types
|
download PDF |
| Close 1st Inversion Triads with Inner Voice Motion (2-to-1) |
download PDF |
| Decorated Triads |
download PDF |
| Diatonic Major Key Triads and Soprano Pedal |
download PDF |
| Diatonic Triads (and Sounds) and Pedals (Major Key) |
download PDF |
| Four-Part Harmony Triads |
download PDF |
| Getting Acquainted With Triads |
download PDF |
| Gospel Low-End Open Triads |
download PDF |
| Harmonization Studies |
download PDF |
| Inversion Rows Exercises to Learn Triad Fingerings |
download PDF |
| Learning 3-Note Open 1st Inv. Diatonic Major Key Middle String Voicings |
download PDF |
| Long Open Triad String Crossing Passages |
download PDF |
| Low-End Open Triads, I-IV-iii-I and I-IV-bIII-I Chains |
download PDF |
| Low-End Open Triads in I-IV Progressions |
download PDF |
| Low-End Open Triads Using iii and vi |
download PDF |
| Low-End Playing 3-Note Chords on the 643, 653, and 654 Strings
|
download PDF |
| Major Triad Voice-Leading I-IV-V |
download PDF |
| Major Triad Voicings |
download PDF |
|
Melodic Figures, and Triad Connected with Passing Tones |
download PDF |
| Minor Open Triad |
download PDF |
| Mixing Minor and Major Triads in Minor Key Chord Progressions |
download PDF |
| Open Triad Inversions |
download PDF |
|
Open Triads |
download PDF |
| Open Triads, I-ii-IV-iii-I |
download PDF |
| Open Triads - Low-End Major and Minor 1st Inversions |
download PDF |
| Open Triads - Low-End Major and Minor 2nd Inversions |
download PDF |
| Progressions (1973) |
download PDF |
| Progressions Using Open and Incomplete Triads |
download PDF |
Sequences Using Root Pos. Close Pos. Triads |
download PDF |
|
Successive 1st Inversion Triads: Progression by Step |
download PDF |
|
Tonality Establishment and Modulation Using Close1st Inversions |
download PDF |
| Triad Conversion Close to Open |
download PDF |
| Triad Exercises in Major Broken Chords |
download PDF |
| Triad Exercises in Minor – Broken Chords |
download PDF |
| Triads in I-IV and V-I Sequences within a Key |
download PDF |
| Triads in Progressions |
download PDF |
| Triad Relocations As Means of Learning the Fingerboard |
download PDF |
| Upper Close Triads with Added Bass Root |
download PDF |
| Using All 3 Low-End Open Triad Major Forms |
download PDF |
| Using 3 Note Triads and 7th Chords in Short Phrases |
download PDF |
| Voice-Leading as Helpful Tool in Learning Open Triads and More |
download PDF |
| Wild Triad Progressions |
download PDF |
| |
|
| Bass-Enhanced Triads |
| I-IV-V with Consonant Polychords and Friends |
download PDF |
| American Expanded Diatonicism or Multi-Key Colors |
download PDF |
| Bass-Enhanced Triads in Eb |
download PDF |
Bass-Energized Triads in Harmonization of Asc. Major Scale,
Degrees 5-6-7-8 |
download PDF |
| Bass-Enhanced Triads - Misc. Ideas #1 |
download PDF |
Bass-Enhanced Triads - Misc. Ideas #2 |
download PDF |
Bass-Enhanced Triads Slash Chords |
download PDF |
Bass-Enhanced Triads Stuff |
download PDF |
| B.E.T. Language and Misc. Ideas |
download PDF |
| Consonant Major Slash Chords, I IV V |
download PDF |
| Contemporary Bass-Enhanced Triads in Expanded Diatonic Chord Progressions |
download PDF |
| Cool Rock and Motown-ish B.E.T. Colors |
download PDF |
| Dynabass Voicings Melodically Organized |
download PDF |
| Endings, Intros, or ? Using Expanded Diatonicism and Chromatic Triads & Pedals |
download PDF |
| Expanded Diatonic and Bass-Enhanced Triads |
download PDF |
| List of Bass-Enhanced Triads by Chord Quality |
download PDF |
| Major Triad Polychords Type 1 |
download PDF |
| Major Triads Dynabass Voicings |
download PDF |
| Master Harmonization Chart for Power-Bass Triads, Major Key |
download PDF |
| Modern Poly-Triad Ideas |
download PDF |
| More Harmonization of 5, 6, 7, 8 via Bass-Enhanced Triads |
download PDF |
| Poly-Chord Progressions |
download PDF |
| Power-Bass Triads: List 1 |
download PDF |
| Power-Bass Triads: Harmonizing 4-5-6-7 |
download PDF |
| Power-Bass Triads |
download PDF |
Power-Bass Triads Working Backwards |
download PDF |
| Progressions Using Power-Bass Triads, BET, Slashers |
download PDF |
| Triads & Bass-Enhancement: Harmonizing a Long Scale Line pt 1 |
download PDF |
| Triads & Bass-Enhancement: Harmonizing a Long Scale Line pt 2 |
download PDF |
| Tri-Level Chords and their Progressions, A Beginning |
download PDF |
| Using Slash Chords (Dynabass Harmony) in V7-I Type Applications |
download PDF |
| |
|
| Harmonization of a Given Melody |
| 2-to-1 Diatonic Asc. Stepwise Bass Motion w/Delayed Entrance (part 1) |
download PDF |
| 2-to-1 Diatonic Asc. Stepwise Bass Motion w/Delayed Entrance (part 2) |
download PDF |
| America the Beautiful (harmonization assignment) |
download PDF |
| Diatonic Major Harmonization: Ascending Bass Starting from Various Is |
download PDF |
Diatonic Harmonization of a 3-Note Theme |
download PDF |
| Diatonic Harmonization Through Counterlines |
download PDF |
Diatonic Major Harm. of Asc. Bass Starting from Various iis |
download PDF |
Harmonization: 1st Phrase of "There Will Never Be Another You" Part 1 |
download PDF |
| Harmonization: 1st Phrase of "There Will Never Be Another You" Part 2 |
download PDF |
| Harmonization Studies for Intros, Endings, Interludes, and Fills (Part 1) |
download PDF |
| Harmonization Studies for Intros, Endings, Interludes, and Fills (Part 2) |
download PDF |
| Harmonization Studies in the 4 Main Ingredients |
download PDF |
| Harmonizing Melodic 3rd Intervals |
download PDF |
| Heres That Rainy Day, 1st phrase w/various harmonizations |
download PDF |
| How High the Moon, Harmonization of 1st Phrase - Pt 1 (1987-03-21) |
download PDF |
| How High the Moon, Harmonization of 1st Phrase - Pt 2 (1987-03-29) |
download PDF |
| How High the Moon, Harmonization of 1st Phrase - Pt 3 (1987-03-30) |
download PDF |
| How High the Moon, Harmonization of 1st Phrase - Pt 4 (1987-03-30) |
download PDF |
I'll Remember April - Treatments of the First Phrase
|
download PDF |
| I'll Remember April - Harmonized Melody |
download PDF |
| Major Scale Harmony and Melody: 1-to-1 |
download PDF |
| Minor Key: 2-to-1 Stepwise Ascending Bass Motion |
download PDF |
| My Funny Valentine Reharmonization of the 3rd Phrase
|
download PDF |
| Phrases in Chord Melody Style |
download PDF |
| Stepwise Diatonic Bass Harmonization via Diatonic Flavors |
download PDF |
| Technique of Diatonic Harmonization Derived from Bass Lines Part 1 |
download PDF |
| Technique of Diatonic Harmonization as Derived from Bass Lines Part 2 |
download PDF |
| Using Melodic Patterns for Intros, Interludes, and Endings |
download PDF |
| Varying Harmonic Rhythm Under a Melodic Pattern |
download PDF |
| Warm Harmonization of Diatonic Major Scale Melodies |
download PDF |
Warm Harmonization of Melodies with b7 |
download PDF |
| You Are the Sunshine of My Life Bridge Variations |
download PDF |
| |
|
| Voice Leading |
| I, IV, and V Connections - 3 Voices, Asc. Stepwise 1-to-1 Melodies |
download PDF |
| Alternate Voice-Leading (1989-1990) |
download PDF |
| Multi-Possibilities of Voice-Leading via ii7-V7-I, Top 4 Strings |
download PDF |
| Progressions Through Voice-Leading |
download PDF |
| Open Triads Smoothest Voice Leading |
download PDF |
| Voice Leading (1975-01-08) |
download PDF |
| Voice Leading and Parallelism on Guitar |
download PDF |
| Voice Leading Reference Charts - Triads Only |
download PDF |
| Voice Leading Reference Charts - 3 Note Triads |
download PDF |
| Voice Leading - Understanding Voice Leading & Voice Splitting |
download PDF |
| |
|
| 4th Chords |
| V7-I in Diatonic 4th Chords (More) |
download PDF |
| V7-I in Diatonic 4th Chords: Melodic Moves from 1st Chord |
download PDF |
| 4-Note Diatonic 4th Chord Studies on the Middle Strings (Part1) |
download PDF |
4-Note Diatonic 4th Chord Studies on the Middle Strings (Part2) |
download PDF |
4-Note Diatonic 4th Chord Studies on the Top Strings |
download PDF |
4ths |
download PDF |
| Approach Chord Concept: Diatonic 4th Chords, Major Scale |
download PDF |
Contrary Motion with Lots of 4th Chords |
download PDF |
| Diatonic 4/3/4/4/ 4th Chord Studies |
download PDF |
| Diatonic 4th Chords: R 4 7 9 with String Crossing |
download PDF |
Diatonic 4th Chords: R 4 7 9 Type on the Top Strings |
download PDF |
Diatonic 4th Chords: R 4 7 9 Types on the Middle Strings |
download PDF |
Diatonic 4th Chords - V-3 and Others |
download PDF |
| Diatonic 4ths: I-vi7-ii7-(I7)-V7 - Ascending Diatonic Melody |
download PDF |
Learning R 4 7 5 (3 Notes and a Skip) Diatonic 4th Chords |
download PDF |
Miscellaneous 4th Chord Studies |
download PDF |
| Seminal 4th Chords |
download PDF |
| Stacked 4ths |
download PDF |
| |
|
| 5-Note Chord Voicings |
| 5-Note Altered and Overtone Dominants, b7 on Top, Choice (from Half-Whole Dim. Scale) |
download PDF |
| 5-Note Altered and Overtone Dominants, Root on Top, Choice (from Half-Whole Dim. Scale) |
download PDF |
| 5-Note Amaj9 Systematic Inversion Rows Angle
|
download PDF |
| 5-Note C6/9 Voicings Derived from Cmaj9
|
download PDF |
| 5-Note C7/6, C9, and C13 Chords |
download PDF |
| 5-Note Choice Diminished Scale Derived Voicings
|
download PDF |
| 5-Note Chords in the Diminished Scale Names List |
download PDF |
| 5-Note Chord Voicings A Brief Explanation |
download PDF |
| 5-Note Dominant 7b9#5 Chord Voicings |
download PDF |
| 5-Note Dominant 7#9#5 Chord Voicings |
download PDF |
| 5-Note Diminished Voicings |
download PDF |
| 5-Note Major Type Chords Locational Organization |
download PDF |
| 5-Note Minor 7 Type Chords |
download PDF |
| 5-Note Miscellaneous Choice Voicings (1989, 1986) |
download PDF |
| 5-Note Normal Major Types, Reorganized by Soprano (pages 1-8) |
download PDF |
| 5-Note Normal Major Types, Reorganized by Soprano (pages 9-16) |
download PDF |
| 5-Note Normal Major Types, Reorganized by Soprano (pages 17-26) |
download PDF |
| 5-Note Regular Major Type Chord Extensions |
download PDF |
| 5-Note Voicings (Am9 and Cmajor7/6 Types and Others) |
download PDF |
| 5-Note Voicings A Review |
download PDF |
| 5-Note Voicings for Am11 and A9add11
|
download PDF |
| 5-Note Voicings for Minor 7th Type Chords
|
download PDF |
| 5-Note Voicings of the 8-Note Whole-half Diminished Scale (part 1) |
download PDF |
| 5-Note Voicings of the 8-Note Whole-half Diminished Scale (part 2) |
download PDF |
| 5-Note Voicings of the 8-Note Whole-half Diminished Scale (part 3) |
download PDF |
| 5-Note Voicings Top and Bass Notes Constant |
download PDF |
| 5-Voice Chord Types |
download PDF |
| Chord Homonyms for 5-Note Voice Chords |
download PDF |
| System for Discovering 5-Note Diminished 7 Scale Voicings |
download PDF |
| Voicings of 5-Voice and 5-Letter Name Pitches Chords for Guitar |
download PDF |
| Voicing Possibilities for 5-Note Chords for Guitar |
download PDF |
| |
|
| |
|
| back to top |
|
