| 9 Areas of Music (1984 thru 01-17-1987) |
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Benny Goodman Downbeat Article – with Ted Greene comments |
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| Chords for Stretching the Hands |
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| Common Goals of Life |
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Common Standards for Ensemble Playing (Ted Greene Song List) |
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| Contemporary Fingerstyle (Folk) |
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Elements of Chord Progressions |
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| Exercises for the Right Hand |
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Factors in a Telecaster That Affect the Tone |
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| Favorite Rhythmic Figures for Melodies |
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| Fingerstyle |
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For My Book on Harmony |
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George Van Eps 7 String Voicings |
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George Van Eps – Ted Greene Lesson & Performance Notes |
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Gibson Guitars Letter to Ted Greene |
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Guitar Player Presents – The Legends of Jazz Guitar |
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Harmony – Robert Ottman – Ted Greene comments |
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Harmony and Voice Leading – Aldwell & Schachter – Ted Greene comments |
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Harp-Like Broken Chord Patterns |
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| Ideal Qualities in Student, 1977 (From Ted’s personal notes) |
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| I'll Remember April, Ted's Analysis of George Van Eps’ Recording |
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| Intros, Verses and Endings |
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List of Common Progressions in Standard Type Songs |
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Main Courses for Teaching |
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| Moods and Feelings - (A misc.collection from Ted’s personal studies) |
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New Book Ideas – 1 |
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New Book Ideas – Bachian Counterpoint (1) |
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| New (Electric) Folk |
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Observations and Reminders for Teaching Program |
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Prospective Topics for Guitar Player Magazine Master Series |
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Rhythmic Types |
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| Rhythms of the ‘50’s and ‘60’s |
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| Right-Hand Chords |
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| Roadmaps_Tune Structures By Number |
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| Roadmaps_Understanding Chord Progressions using Beatles tunes |
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| Roadmaps_Various Jazz Tunes |
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Solo Guitar Concepts and Reminders |
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Solo Guitar – Song Lists, Reminders, and Notes |
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Solo Guitar Songs by Their Initial Tones |
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| Solo Guitar Strategies and Concepts |
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Some Favorite Film Scores |
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Some Great Film Scores by Max Steiner |
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Song List (key centers) with Progression Reminders |
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Structural Functions of Harmony (pages 4-7) – Schoenberg – Ted Greene comments |
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| Ted Greene Original Progression |
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| Ted Greene's Financial Policy (1980) |
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| Ted Greene Song Lists (Group 1) |
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| Ted Greene Song Lists (Group 2) |
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| Ted Greene Song Lists (Group 3) |
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| Ted Greene Song Lists (Group 4) |
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| Ted Greene Song Lists (Group 5) |
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| Ted Greene Song Lists (Group 6) |
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| Ted Greene Song Lists (Group 7) |
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| Ted Greene Song Lists (Group 8) |
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| Ted Greene Song Lists (Group 9) |
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Ted Greene’s Personal Practice Programs (1973-1976) |
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| Ted Greene’s Personal Study Areas (1974-1976) |
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| Ted Greene’s Work and Study Sheets (1971-1974) |
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| Ted Greene on Guitar Amps |
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| A Taste of Tonality Types |
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| Why Study Harmony? |
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Harp-Harmonics:
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| C Dominant 7 Chords for Harp-Harmonics |
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Chords Applicable to Stopped Harmonic Technique |
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| Extremely Dissonant 6-Note Voicings for Harp-Harmonic Technique |
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Harmonics |
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| Harmonics - Chart of Natural Harmonics |
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| Harmonic Chords Derived by Switching |
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| Harmonic Chords |
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| Harp-Harmonics (and other) Misc. Ideas |
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Harp Harmonics - Ascending Harmonic Chords Derived from Scales |
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| Harp Harmonics - Chord Progressions for Harmonics |
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| Harp-Harmonics - Chord Voicings for Chimes |
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| Harp-Harmonics - Diminished 7 Harmonic Chords |
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| Harp-Harmonic Forms on the Top 5 Strings, (More Consonant) |
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Harp-Harmonic Forms on the Top 5 Strings, (More Dissonant) |
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Harp-Harmonics - G7 First Inversion for Harmonics |
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| Harp-Harmonics - Harmonic Chords with One Backwards Interval |
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| Harp-Harmonics - Harmonic Scales |
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| Harp-Harmonics Instruction Book Page with Ted’s Note |
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| Harp Harmonics - Scalular Runs with Chimes and Regular Notes |
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| Harp-Harmonics - Starter Chords for Diatonic |
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| Harp-Harmonic Technique – Bottom 5 Strings |
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Harp Harmonic Technique - part 1 (1977-02-03) |
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| Harp Harmonic Technique - part 2 (1978-06-28) |
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| Harp Harmonic Technique ala Lenny and Chet |
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| Harp Harmonics - Technique and Sustained Scales |
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| Harp-Harmonics - Whole-Tone and Other Chimes |
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| Harp-Like Chords (Minor 6’s) |
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| More Consonant 6-Note Voicings for Harp-Harmonic Technique |
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Ear Training:
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| Common Progressions for Taping, Ear-Training, and More |
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Condensed List of Ear-Training Progressions (for Jazz and Pop) |
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Cumulative Ear-Training Program |
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Developing Inner Harmonization Hearing-Targeting the 7th Note |
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| Developing Inner Harmonization Hearing – Targeting the Root |
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Ear-Training |
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Ear Training - I and V Triad Progressions |
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| Ear Training and Analysis List of Intervals of Songs |
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| Ear-Training and Harmonic Tendencies Knowledge |
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Ear Training and Harmonizing Melodies |
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Ear-Training and Progression Catalogue |
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Ear Training - Basic Chord Progressions |
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| Ear Training - Bass Ear-Training Course (part 1) |
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| Ear Training – Bass Ear-Training Course (part 2) |
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| Ear Training - Chord Progressions and Broken Chord Textures |
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| Ear Training - Exercises (1975) |
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| Ear-Training: Focus on 1 or 2 Tones at a Time |
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Ear-Training for the Students |
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Ear Training - Guitar Solfegge |
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| Ear Training - Harmonization – The Primary Colors |
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| Ear Training - Hearing Chord Progressions and Their Basses |
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| Ear Training - Inner Hearing - The Visual Fingerboard |
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| Ear Training - Learning to Hear Major going to Minor |
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| Ear-Training Progressions Organized by Soprano |
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Ear-Training Progressions, Organized by the Soprano |
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Ear Training - Progressions - The Condensed List |
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| Ear Training - Progressions - Three-Six-Two-Five |
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| Ear Training - Progressions (Triads I, IV) |
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| Ear-Training – Starting Notes of Beatles Tunes |
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Ear-Training Strategies |
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Ear Training - Studies - 7th Type Chords |
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| Ear Training - There Are 12 Major Triads in Every Major Key |
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| Ear-Training thru Melodic Moves |
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Ear-Training Thru Singing and Visualizing |
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Ear-Training Through Specific Quality-Degrees: Focus VI7#9 |
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| Ear-Training Through Specific Quality-Degrees: Focus VI9 |
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| Fingerboard Hearing or Hearing the Fingerboard |
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Hearing the Different Tonalities |
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Inner Hearing - Acquaintance Page |
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Learning to Hear Diminished |
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| Learning to Hear i Diminished Colors |
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Learning to Hear Minor |
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| Learning to Hear V 11ths and its Extensions |
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| Learning to Hear V7 |
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| Learning to Hear V7b9 |
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List of Progressions for Ear-Training |
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EIS Murphy System (Equal Interval System):
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| Introduction to Ted Greene’s Pages on the EIS Murphy System |
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EIS – Bass in Motion Thru Harmonized Melodic Patterns |
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EIS – Important Notes, Facts, Resources, and Devices of EIS Murphy System |
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EIS – Interesting Progressions Using Dominant 11th Chords |
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EIS – “Spud” for Guitar |
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EIS – Variations on Basic EIS Murphy Triad Progressions |
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EIS Concepts for Harmonizing a Melody |
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EIS Lesson #4 |
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EIS Murphy System – Guides or Rules |
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EIS Murphy System – Resources and Devices |
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EIS Practice – Various Concepts |
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EIS Resources for Writing |
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| Original Tunings: |
| Original Tunings - Overview & Excerpts (15 pages) |
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| Original Tunings - (Tuning #1) R-5-9-3-5-R, Major Types |
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Original Tunings - (Tuning #2) D9: D-C-E-F#-A-D, Minor 7 Types,
1982-06-26 |
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| Original Tunings - (Tuning #2) Middle String Voicings, 1982-06-26 |
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| Open Tunings - (Tuning #2) D9 Practice Progressions and Voicings, 1984-04-14/15 |
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| Original Tunings – (Tuning #3) Voicings for R-b7-9-b3-5-R, Bill Evans Tuning, 1997-05-11 |
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| Original Tunings - (Tuning #3) The Sweet Tuning, D-C-E-F-A-D, Various Progressions |
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| Original Tunings - (Tuning #3) R-b7-9-b3-5-R Tuning Organizational Plan, 1986-02-20 and 21 |
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| Original Tunings - (Tuning #3) R,b7,9,b3,5,R Compilation #1 |
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| Original Tunings - (Tuning #3) R,b7,9,b3,5,R Compilation #2 |
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| Original Tunings - (Tuning #5) R,5,3,#5,R,b3 1984-05-18 |
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