1st Inversion Major Triads with Bass on 5th String |
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3-Note Voicings – 5th String Root in the Bass |
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3-Note Voicings – 6th String Root in the Bass |
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3rd in the Bass Chord Forms – Introductory Page |
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5 Main Areas of the Fingerboard (and the Blues Scale) |
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5 Main Areas and the Related Triads & Major7 Chords |
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5th in the Bass Chord Forms – Introductory Page |
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5th String Root Chord Forms – Middle 4 Strings – Quiz |
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6th String Root Chord Forms – Quiz 1 |
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The 7 Position Theory – The G Major Scale |
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Aeolian Flavors and Progressions |
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Aeolian Tonality (1986-08-03) |
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Basic Chord Forms |
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Basic Major, Dominant, and Minor7th Type Chords and Intervals |
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Chord Construction (Formulas) |
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Chord Construction (Formulas) and Symbols – Reference Page |
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Chord Construction Quiz |
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Chord Name Quiz – Forms from the 5th String Root |
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Chord Names and Chord Tones Quiz |
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Chord Names Quiz |
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Chord Tones Quiz |
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Chord Progressions |
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Chromatic Scale and Major Scales |
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Cumulative Aeolian Scales |
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Cumulative Chords - 3-Note Major & Minor Close Triads & Friends |
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Cumulative Chords - 3-Note Major Types, 2nd String Root-Anchor |
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Cumulative Chords - 3rd in Bass - From 5th String |
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Cumulative Chords - 6th String Root, Major Types |
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Cumulative Chords - 6th String Root, Sus Types |
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Cumulative Chords - Beginning Progression to Apply |
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Cumulative Chords – Dominant 7ths, Group 1 |
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Cumulative Chords – Forms from the 6th String Root |
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Cumulative Chords – Forms from 5th String Root |
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Cumulative Chords – Grouped by Color and Visuals |
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Cumulative Chords – 4th String Root |
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Cumulative Major Scales |
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Cumulative Mixolydian Scales |
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Cycles (1988-08-28) |
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Developing Fingerboard Sense in a Harmonic-Melodic Style |
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Diatonic Major Scale Chord Progressions for Taping |
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The Dominant 7th Scale |
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Dominant 7th Type Chord Forms |
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Dorian Tonality |
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Dorian Progressions for Taping |
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Essential Chords - Standard Inversions |
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Establishing a Major Tonality - Diatonic Colors, I IV |
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Family Tones Chart (dom7, m7, m6) |
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Foundation Chords – Dominant - unaltered |
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Foundation Chords - Major |
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Foundation Chords – Minor 7th |
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Fundamentals - Chord Forms |
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Fundamentals – Major Scales |
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The Guitar Fingerboard – Learning the Layout thru Scale Fragments |
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The Guitar Fingerboard – Learning the Layout thru Song Fragments |
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Guitar Layout and Sight-reading Foundation Studies |
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The Guitar Layout – Chord Twins |
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Harmonic Minor and Melodic Minor Scales |
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Harmonic Minor Scale |
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Harmonic Minor Progressions for Taping |
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Harmonized Close Triads in 5 Tonalities |
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Harmony: Basic Chord Types and Their Uses |
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Intervals |
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Interval Layout and Some Common Combinations - 6th String Root |
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Interval Layout and Their Combinations – Middle Strings, 5th String Root |
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Learning the Basic Chord Forms (1979-01-09) |
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Learning the Basic Chord Forms – Root in Bass Voicings |
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Learning the Fingerboard through the 3 Triad Diagonals |
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Learning The Notes Fingerboard - 1 |
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Learning The Notes Fingerboard - 2 |
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Locating the Tones in the Main Chord Forms |
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Learning the Fingerboard: Major Scale |
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Learning the Fingerboard: Mixolydian Scale |
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Major 6, Add9, Major 6/9, and Suspended Chords |
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Major Scale and the Foundations of Harmony |
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Major Scale – Learning to See and Hear the Harmonized Scale |
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Major Triad Fingerings |
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Major Type Chord Forms |
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Melodic Minor Chord Forms |
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Mixolydian Chord Progressions for Taping |
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Mixolydian Harmony and Melody |
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Minor Scales |
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Modern Chords and Extensions |
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Moving Line Chord Progrs. for Intro Page of 6th String Root – Major Chord Forms |
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Musical Goals and Necessary Areas of Study |
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Musical Priorities |
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Quiz on Chord Names |
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Reharmonization and Back-cycling for Chord Melody Playing |
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Root in the Bass Chord Forms from the 6th String – Intro. Page |
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Some Ways to Learn a Scale Fingering |
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String Transference Quiz - to the Next Lower String Set |
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String Transference Studies (part 1) |
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String Transference Studies (part 2) |
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String Transference Studies (Advanced) - All 3 Sets of V-2 |
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String Transference: Systematic Inversion Staple Chords |
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Tonality - part 1 |
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Tonality - part 2 |
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Tonality - part 3 |
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Triads |
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Triad Spelling |
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Voicing Reference Page |
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Voicing Twins: Studies by Shape Affinity |
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